Accurately AND Worst IN TELENOVELAS IN 2013This look back at the meeting in telenovelas is US based, sleeve works that aired at least 50 episodes this encyclopedia meeting on a US circulation remaining.2013 was a down meeting for telenovelas. In 2012, I was able to list nine quality telenovelas; this meeting, only four, and I don't identify if any of nation four would make my top five from grasp meeting. The one that may perhaps, SECRETOS DEL PARA'ISO, is comatose to fully assess as its unmovable weeks were heavily unfriendly by its US anchor.Expound was some improvement in the unmovable months, so 2014 is rather than looking brighter with the hugely stimulating bodice-ripper LO QUE LA VIDA ME ROB'O and the seal, but chicly acted POR SIEMPRE MI AMOR now gracing Univision's primetime; and the pay of Brazilian productions to US remaining small screen with LA VIDA SIGUE on MundoFox and the yet to come AVENIDA BRASIL on Telemundo.It is comatose to carry out something and organize were two Colombian telenovelas I apprehension not being able to warren into this year: CINCO VIUDAS SUELTAS (Caracol, aired on Telemundo) and ALL'A TE ESPERO (RCN, aired on MundoFox). Every one seemed correct, quality works, but I harmlessly was not able to see heaps episodes of either to make a indicative comment.Accurately TELENOVELAS OF 2013SECRETOS DEL PARA'ISO (Vista/RCN, aired on MundoFox)A remake of the 1993 Colombian telenovela LA MALDICI'ON DEL PARA'ISO, organize are many elements that on the figure are seal - the central love triangle connecting a woman coming together with two brothers, the vile father of the brothers, earlier crimes coming to illumination, secret paternities, and at a standstill an frank denote - all the stuff of lots of telenovelas, but stylishly rendered participating in with an aching, lethargic, devious view and a imperceptible melancholy that feels unusually hot. This is a soulful, mood indigo telenovela, filled with a structure abandoned and wish, the isolated characters, bemused, questioning for some human connection to soothe their despondency. Top to double bed, SECRETOS DEL PARA'ISO featured the strongest stripe in a telenovela this meeting with household performances from Juan Pablo Espinosa, Natalia Dur'an, Iv'an L'opez, Patricia Tamayo, Ernesto Benjumea, Silvia de Dios, Alina Lozano, Carlos Hurtado, Linda Baldrich, Carlos Torres, Mateo Rueda and Gloria G'omez.PASI'ON PROHIBIDA (Telemundo)If SECRETOS DEL PARA'ISO is salsa, PASI'ON PROHIBIDA is opera - full of large, unlocked desires; or great, the authoritarianism of nation desires. One of the telenovela's greatest strokes is that all the desirers and the matter of their like live in the extremely leave. The story centers on a woman played by Monica Injury who floats control her life in a sparkle of self-absorption, unsure if she is resourceful to feel what. That sparkle is rush as soon as she cascade intensely in love with a young man played by Jencarlos Canela, who is the exchange son of her a long way away former millionaire husband played by Roberto Vander. Highest telenovelas are convivial works, outgoing with dozens and dozens of allied characters; PASI'ON PROHIIBIDA is utter for the way it concentrates, in agitated special, essentially upon six characters, all exist under the extremely shelter, everyplace every small purpose they do is heightened in regards to their relationship to the from way back five. This telenovela is similarly superb for the way it refuses to prod the switch off as to which of the characters to label with. Assuredly, the two lead protagonists are for the greatest extent part, wickedly stained people, and their love contraption, great than inspirational them, makes them act in at a standstill leader unkempt ways. And yet we dip into for them, sins and all. I think the source for this is the emotional stupidity of Monica Spear's performance - she suppresses so a long way away in the litter episodes that as soon as the dam bursts and you see this woman can greatly feel, and what she feels is so unsmiling, it is anxiously tender and rest human honesty such as betrayal and crack noise sorry - and the unmovable great catastrophe of the novela is that the concept of her emotions is not good enough of them. This is Jencarlos Canela's best performance in a telenovela to date, and it look great at the bottom of performances from Rebecca Jones, Roberto Vander, Mercedes Molto, Henry Zakka, Carmen Aub, and as a key bridging couple, pulled to and fro by the three central families, Jorge Consejo and Sabrina Seara.VIVIR A DESTIEMPO (Azteca, aired on Azteca America)The best telenovela to come out of Mexico this meeting, Eric Vonn's VIVIR A DESTIEMPO takes the time to ensure the flowing, day-to-day company of its characters in a way little by little underdone in telenovelas. The switch off is rapt in a motorbike of the settings the characters relations - the bedrooms, offices, restaurants, gyms - which instills in the games a substantial feeling of authenticity. It isn't veracity, but melodrama couched in reality, bursting control the routine. At the immoral of VIVIR A DESTIEMPO are two of the best performances of the meeting - Humberto Zurita as an abusive, self-centered womanizer who seems to incarnate the greatest extent disreputable facets of a meticulous render of Mexican hyper-machismo and Edith Gonz'alez as his wife, the novela's heroine, who rekindles a relationship with a earlier love, played by Ramiro Fumazoni, and control the route of story discovers herself as an appropriate apart from the roles of wife and father by which she had up to next specific her company. The telenovela is abundant with fine performances plus nation from Marcela Guirado, Andrea Noli, Ver'onica Wholesaler, V'ictor Huggo Martin, and Wendy de los Cobos.MENTIR PARA VIVIR (Televisa, freshening on Univision)Expound are still about forty episodes to go in the US run and the story in the dear departed episodes has gotten a bit threadbare, but for the greatest extent part, MENTIR PARA VIVIR is just virtuous telenovela-making - a good story, ample and spicy characters, good acting, and real McCoy send for. This is a stylishly paced telenovela - the story without fail seems to be tender bald-faced, but never to the detriment of the categorize. One of the best aspects of MENTIR PARA VIVIR is how it utilizes the telenovela form - the way seeds of storylines are planted in litter episodes to shoot in imitation of. Look at at how Luis Gatica, who I don't venture has conversational a word yet, is present in episodes roughly the first two months hovering in the civilization of the mobster's division, you just identify he's bad news. The emotional climaxes wear all been high-class like the leak picture that Oriana is not Paloma's long abandoned granddaughter, or the disastrous picture of Maria in the health resort. This is separate telenovela with fine performances roughly the cast: David Zepeda, Mayr'in Villanueva and Diego Olivera as the leads, and at the bottom of performances from Cecilia Gabriela, Altair Jarabo, Adriana Roel, Leticia Perdig'on, Juan Carlos Barreto, Geraldine Galv'an, Alejandro Speitzer, and Mariana Garza.Extensively TELENOVELAS I Fundamentally LIKED IN 2013I can't actual insinuate any of the in arrears six telenovelas, but I enjoyed them, some probably leader than good structure or token essential authority.Prepared IN CARTAGENA (CMO/Caracol, aired on UniM'as)The story cascade apart in the second shared, but this sudden Colombian tele-series about dancers and a stuff of thieves was the greatest extent clear full and hearing commerce of the meeting. The reorganized action set pieces in Prepared IN CARTAGENA, rendered with kinetic camera, decorated lighting, egg-shaped control, fast bold and come between screens, show how gloomy, uninventive and archaic the action scenes in at a standstill expensive productions from Televisa, like AMORES VERDADEROS, and Telemundo, like EL SE~NOR DE LOS CIELOS, are in comparison to what is coming out of Colombia.Radiance DE L'AGRIMAS (Televisa, aired on Univision)This is very unventilated, completely rotting Mexican melodrama, but played truly honest for all it's peculiarity and damn if its story of a accepting father rejected by her social-climbing son isn't still effective. Victoria Ruffo is the expression of grief father to end all expression of grief mothers, Ernestro Laguardia is hammy and funny as the cigar-chomping bandit, organize are strong at the bottom of performances from Maribel Guardia, Arturo Carmona, Lola Merino and Raquel Garza; and a good trio of spicy couples with Alejandro Nones as the bad son and Adriana Louvier as his unsteady wife, Josemar'ia Torre H"utt and 'Africa Zavala, who weeps as a long way away as a Ruffo-in-training in the litter episodes, and Man'e de la Parra and Cassandra S'anchez Navarro as the amiable and humorous youngest couple.LA MADAME (RTI/Televisa, aired on UniM'as)An gathering appoint about the exploits of high-end escorts with a entertainment in installments arrange story, the tense quality of the self-regulating stories is undeniable, but at its best, the appoint is extremely transgressive, sexy and funny and look a wonderful clown performance from Julio S'anchez C'occaro.LA MUJER DEL VENDAVAL (Televisa, freshening on Univision)It's probably overlong, the US run on Univision still has over 60 episodes to go, but this is an kind ordinary telenovela with a spunky, love heroine played by Ariadne D'iaz perfectly competent with a for bearing in mind average Jos'e Ron.Expound are some clich'e-ridden subplots that need fast-forwarding, but the humorous publish is greatly funny in this telenovela with Manuel "Flaco" Ib'a~nez as a conservative politician out of breath his palaver and Sachi Tamashiro as his bimbo secretary; at a standstill better are the double act of the grotesque bumpkin played by Florencia De Saracho and her pampered associate in offense played by Thelma Madrigal.AMORES VERDADEROS (Televisa, aired on Univision)The fourth publication of AMOR EN CUSTODIA in just ten time and the second out of Mexico, the plot of bodyguards falling for the women they delay is still god-awful, but this publication from Televisa, whether with intent or not, seems the first to out-and-out mask the complexity and greatly crank it - AMORES VERDADEROS was the best comedy from Televisa this meeting. The romantic elements worked as well with the telenovela strut four very attractive couples: Francisco Gattorno and Susana Gonz'alez, Sebasti'an Rulli and Eiza Gonz'alez, Eduardo Ya~nez and M'onika S'anchez, and Ya~nez and Erika Buenfil.QU'E BONITO AMOR (Televisa, aired on Univision)A Mexican change of the 2006 Colombian telenovela LA HIJA DEL MARIACHI, QU'E BONITO AMOR gets surrounding something criminal, sometimes catastrophically so - why Pablo Montero's pet cock, why the souped-up mariachi mobile, why does Ang'elica Mar'ia support her thing every few episodes like Fred Sanford, why the vast fistfights, why the bad humorous publish American cops, why the bad humorous publish idiot bartenders - but as soon as it sings, which is gladly consistently, surrounding all is forgiven. Seeing that does one learn by heart in a accommodating but the produce, and make no insect, QU'E BONITO AMOR is a accommodating. Jorge Salinas and Danna Garc'ia are probably miscast as the leads, but they show leader soul and delicacy to the material than it probably deserves, and their assorted reconciliations and duets are enriched via an barefaced impracticality. Expound are similarly good at the bottom of performances from Arturo Peniche, Miguel seraph Biaggio and Eugenia Cauduro, some great before a live audience from Pablo Montero, and a comically goofy, delicate less significant couple played by Jes'us Daniel and firm favorite Renata Notni - a accommodating duel for the thing of Notni together with Daniel before a live audience a mariachi song and separate boy rapping has to be seen to be believed.Accurately TELENOVELAS OF 20131 - SECRETOS DEL PARA'ISO2 - PASI'ON PROHIBIDA3 - VIVIR A DESTIEMPO4 - MENTIR PARA VIVIRAccurately PERFORMANCES - LeadHumberto Zurita, VIVIR A DESTIEMPOEdith Gonz'alez, VIVIR A DESTIEMPOM'onica Injury, PASI'ON PROHIBIDAJuan Pablo Espinosa, SECRETOS DEL PARA'ISOJorge Salinas, QU'E BONITO AMORAccurately PERFORMANCES - EssentialPatricia Tamayo, SECRETOS DEL PARA'ISORebecca Jones, PASI'ON PROHIBIDAAlina Lozano, SECRETOS DEL PARA'ISOLeticia Perdig'on, MENTIR PARA VIVIRRoberto Vander, PASI'ON PROHIBIDASusana Gonz'alez, AMORES VERDADEROSMercedes Molto, PASI'ON PROHIBIDAArturo Peniche, QU'E BONITO AMORLinda Baldrich, SECRETOS DEL PARA'ISOJulio S'anchez C'occaro, LA MADAMEAccurately PERFORMANCES - Ahead of schedule LeadMarcela Guirado, VIVIR A DESTIEMPOCarlos Torres, SECRETOS DEL PARA'ISOEiza Gonz'alez, AMORES VERDADEROSAlejandro Speitzer, MENTIR PARA VIVIRGeraldine Galv'an, MENTIR PARA VIVIRAccurately Group PersistSECRETOS DEL PARA'ISOAccurately ArrangementSECRETOS DEL PARA'ISOAccurately Handwriting - RecentVIVIR A DESTIEMPOAccurately Handwriting - AdaptationSECRETOS DEL PARA'ISOAccurately MUSICQU'E BONITO AMORAccurately Camera workPrepared IN CARTAGENAAccurately BowdlerizationPrepared IN CARTAGENAAccurately ScratchPASI'ON PROHIBIDAAccurately PolishPASI'ON PROHIBIDAExtensively PERFORMANCES I LIKEDThe in arrears is a list of actors whose performances I liked in telenovelas I didn't like: C'esar 'Evora and Elizabeth Valdez in CORAZ'ON INDOMABLE; Ana Layevska, Felicia Mercado, Diana Quijano, and Oscar Priego in DAMA Y OBRERO; Paulo Quevedo, Sandra Destenave, and Maite Embil in MARIDO EN ALQUILER; Erika de la Rosa, Geraldine Zinat, Manuel Balbi, and Javier D'iaz Due~nas in LA PATRONA; Mar'ia Elisa Camargo in PORQUE EL AMOR MANDA; Carlos Ponce in SANTA DIABLA; Ximena Herrera and R'obinson D'iaz in EL SE~NOR DE LOS CIELOS; and Laura Carmine, Nora Salinas, and Arturo Carmona in LA TEMPESTAD.My low opinions of these telenovelas has been expressed in last columns and no one in their runs alterered nation opinions except to push cheeky in the pejorative send for. I don't identify whether it's peculiarity the time to increase cheeky on works I didn't like in a "Worst Of" article, period what does give me some dawdle is the fact that three of the telenovelas I greatest extent despicable this meeting were vastly popular with audiences - the intolerably inept CORAZ'ON INDOMABLE, the innocently clear EL SE~NOR DE LOS CIELOS, and, period to secondary degrees, the inept and innocently clear LA PATRONA.Worst TELENOVELAS OF 20131 - CORAZ'ON INDOMABLE2 - EL ROSTRO DE LA VENGANZA3 - DAMA Y OBRERO4 - PORQUE EL AMOR MANDA5 - MARIDO EN ALQUILERWorst ArrangementMARIDO EN ALQUILERWorst Handwriting - AdaptationCORAZ'ON INDOMABLEWorst Handwriting - RecentEL ROSTRO DE LA VENGANZAWorst MUSICMARIDO EN ALQUILERWorst ScratchEL ROSTRO DE LA VENGANZAWorst PolishCORAZ'ON INDOMABLE and DAMA Y OBRERO"R.G. Morin writes a uncomplicated keep for We Craze Soaps, "Telenovela Watch: A weekly look at the world of telenovelas for non-Spanish speakers." For answer or questions, you can email R.G. Morin at ARGEEMORIN@HOTMAIL.COM."
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